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Books · 19th century
The Holy Land: Syria, Idumea, Arabia, Egypt, & Nubia
David Roberts · 4to edition · London, Day & Son, 1855–56
Author David Roberts Printer / Publisher Day & Son Place of Publication London Edition First edition thus Format Quarto Binding Finely bound in recent crimson morocco, single gilt rule to boards, spine in six compartments with double gilt rules to raised bands, lettered direct in gilt in 2nd, 3rd, and 4th compartments, top edges gilt. Collation Each volume 11⅜ × 8⅞ inches. Six volumes bound in three (as usual). 248 tinted lithographic plates (some with additional hand colouring), plus one map and one portrait frontispiece (complete) Date 1855–56 Dimensions 11⅜ × 8⅞ inches Condition Foxing is present throughout (as usual with this edition), occasionally heavy, though most plates are unaffected. Binding immaculate.
Roberts travelled extensively through the Near East in 1838–39, producing hundreds of sketches which he would later work up into finished drawings and, in some instances, oil paintings, which served as the basis for the lithographs produced by the Dutch lithographer Louis Haghe. The original folio publication in the 1840s was in two formats: 1) The Royal Subscription Edition (RSE), in which all of the tinted lithographs were printed on thin paper mounted to card and hand coloured in watercolour to the specifications of Roberts’ originals. 2) The more plentiful Standard Edition (SE), in which the tinted lithographs were printed directly on thick paper and issued uncoloured, with the option of additional hand-colouring to be added later at the discretion of the purchaser. A few plates, such as the Approach of the Simoon, were polychromatic lithographs, printed in both formats using a multiplicity of stones, though later hand colouring of highlights is often found in these as well.
Due to the popularity of the work, a smaller edition was commissioned, with Haghe cutting a completely new set of lithographic stones in reduced size. The paper of the 4to edition is notoriously prone to foxing. The present set has not escaped this fate, though in most instances the plates are unaffected aside from the margins. Additional photos available on request.
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