The present charming and exquisite watercolour is based on a watercolour sketch done by Turner in 1840, one of a number of sketches in a sketchbook that Turner used to jot down ideas that could form the basis of subsequent paintings, whether watercolours or oils.
A handwritten label affixed to an old wood backing to the painting, now lost, ascribes the piece to Amy Durell, most likely Amy Clara Durell (1865–1950), a noted portrait painter and fellow of the Royal Academy. If the attribution is correct, the present work was likely an early study.
A truly charming and evocative after Turner, magnificently catching the original’s subtle colour palette and brooding light. The Turner original is in the Tate collection, London (view at Tate.org.uk).
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